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Review: Kelsey Waldon covers weighty topics on new album

Kentucky singer-songwriter Kelsey Waldon’s newest album on Oh Boy Data will pay homage to a number of musical heavyweights, together with the label’s founder, the overdue John Prine

Kelsey Waldon, “They will By no means Stay Us Down” (Oh Boy)

Kelsey Waldon’s “They’ll By no means Stay Us Down” is a serviceable homage unencumber, because the proud Kentuckian covers everybody from Nina Simone to Neil Younger, and the entirety from union exertions to emotions of freedom.

It’s her personal voice and artistry, on the other hand, that steadily struggles to polish despite the fact that.

Final 12 months Waldon changed into the primary artist to signal to John Prine’s Oh Boy Data in 15 years when the overdue songwriter took Waldon underneath his wing. Since then Waldon has performed Prine proud, however she’s doesn’t seem to be aiming for radio play with those moderately listless quilt tracks.

Younger’s “Ohio” is fantastically treated through Waldon’s number of completed musicians, however her vocals have hassle breaking throughout the sonic wall and are available off as an afterthought. She fails to slice thru.

Waldon’s model of Simone’s “I Want I Knew How It Would Really feel to Be Loose” falls in a similar fashion brief. The peppy nation tempo does not ship the fervour the track merits. On “The Legislation Is for Coverage of the Other folks,” a track penned through Kris Kristofferson, Waldon by no means somewhat we could her voice upward thrust to a degree that will fit the hearth of the lyrics.

Waldon in the end shines on “They’ll By no means Stay Us Down,” a pro-union track written through Hazel Dickens within the mid-1970s for the Oscar-winning documentary “Harlan County, USA.” This obviously rings particular to Waldon and her emotions for her house state, and this bluegrass composition and tempo fits her absolute best.

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